WHEN I MUSEUM
I MEMBERSHIP
WHEN I THINK OF SCULPTURE
I CONCEPT
I INDEX
I REACH OUT
I GO STYLING
WHEN I SHOP
I GO NEW SHOES
ON FIFTH AVE
I GO MUSK
AT GALLERY
I AWAIT CONVERSATION
I STAND AND READY
ANTICIPATING CONTACT
I PACE AND URGE
AND EAGER
YOU TALK TO ME
I LOOK AT YOU
WE SMILE AT EACH OTHER
YOU FACE
YOU EXCRUCIATE
YOU UNCERTAINTISH
YOU SOLD
YOU PURCHASE
U SOLD ON THE
SO NOT GOOD FOR U
BECAUSE OF INTRIGUING
BECAUSE OF INTERESTING
BECAUSE OF PRICING
SHE HAD WANTED
YOU AND WE
WANTED
SHE GOT IT
THEY GOT IT
YOU DON’T HAVE
WE DON’T HAVE
I ART MORE
I CREATE MORE
I USE YOU AS EXAMPLE OF IDEA
TOGETHER WE
PRESENTATION
I COLLECTION
YOU
SALESPERSON
YOU
AUCTIONEER
ART DEALERSHIP
INTELLECTUAL
THE ARTIST IS
IN THE STUDIO
THE CUSTOMER IS
IN THE SCULPTURE
THE CRITICALITY IS
ENCODED INTO THE
DIGITALITY OF TRANS
PROCESS OF TRANS
THE ANALYSIS IS
ON THE PAGE
THE MEANING IS
DIVIDED AMONG
THE PEOPLE IN
THE GROUP
THAT ART GROUP
THIS ART GROUP
THESE ART GROUP
ME AND YOU
IT MATERIALITY
IT IS EXISTS
WHEN I CURATION
REASONS FOR ART 2014
ANEW
AFRESH
ASTARTLE